The Song of the Tree Movie

Keira Knightley, Helen Mirren, Luke Wilson, Mickey Rourke, Jenna Dewan, Diego Luna and Jim Sturgess are among the stars of this most recent portion of the treasury film arrangement set in universal urban areas.
Most compilation films give you the solace of realizing that on the off chance that you don't care for one portion, another will follow in only a couple of minutes. Berlin, I Love You unreasonably does the inverse. It makes you anxious that in the event that you don't care for one portion, which you most likely won't, another fair to-terrible one will pursue.



The most recent portion in a questionable establishment spinning around romantic tales set in universal urban communities (past sections incorporate Paris, Je T'Aime and New York, I Love You, albeit fortunately dramatic groups of onlookers appear to have been saved 2014's Tbilisi, I Love You), this film, similar to the others, is proposed as a valentine to its setting. Tragically, it feels increasingly like a toxic substance pen letter.

A significant cluster of ability has been gathered for this release highlighting 10 separate stories, including chiefs Peter Chelsom, Dennis Gansel and Til Schweiger; performers Helen Mirren, Mickey Rourke, Keira Knightley, Luke Wilson, Diego Luna; and screenwriter Neil LaBute, among numerous others. Be that as it may, their endeavors want nothing in this fiercely uneven exercise.

After a vivified opening delineating the city's chronicled features, the motion picture starts with a section including two characters who go about as a throughline, their story springing up occasionally all through. They're a male emulate (Robert Stadlober) who wears blessed messenger wings taking after the ones in Wings of Desire (the not recommended visual reference does this film no favors) and a female Israeli road vocalist (Rafaelle Cohen) recently touched base in the city. That they'll fall into one another's arms before the finish of the film is guaranteed, yet never do we really mind.

A portion of the narratives have an odd appeal, for example, the one including a grief stricken young fellow (Jim Sturgess) who finds another motivation to live gratitude to an inexplicable talking vehicle who will not give him a chance to submit suicide by driving off a scaffold. "Reason me for saying this, however she's a bitch," the BMW remarks about the lady who made her's driverextremely upset. There's likewise an unobtrusively contacting experience between a 18-year-old kid praising his birthday and a drag ruler (Diego Luna) whom he meets and requests a kiss.

Others are slight however innocuous, for example, the experience of a wore out Hollywood maker (is there some other kind?) played by Luke Wilson and an excellent youthful puppeteer (is there some other kind?) played by Dianna Agron (who additionally coordinated) who gives him innovative and enthusiastic motivation.

Migration, a hotbed issue in Germany nowadays, is somewhat tended to in a couple of fragments, including one including a displaced person focus laborer (Knightley) who brings a youthful Arab kid home incidentally, a lot to her mom's (Mirren) dissatisfaction. Care to figure whether the mother gets used to her cute youthful houseguest when it closes?

The most terrible part includes Rourke as an American specialist who gets untouchably hit on by a ravishing, a lot more youthful lady (Toni Garnn) in a lodging bar. In the wake of disclosing to her a sad anecdote about how he's never possessed the capacity to get over his lament for not having possessed the capacity to know his girl whose authority he lost when she was a kid, the young lady consents to go to his lodging. The portion was scripted by LaBute, who works in stunning turn endings, however this one you can see originating from the earliest starting point. What's more, on the off chance that you at any point needed to see Rourke in his tighty-whiteys, here's your opportunity.

Other than its account insufficiencies, the anothology film flops in its focal objective of making you experience passionate feelings for the region in which it's set. Regardless of Kolja Brandt's nice looking cinematography, Berlin, I Love you gives little feeling of the city's climate or character. Other than a couple of minutes, it may as effectively been set in any extensive city. Be that as it may, Vancouver, I Love You simply doesn't look as provocative on a marquee.

Generation organizations: Bily Media Berlin, Rheingold Films, Shotz Fiction Film, Walk on Water Filmproduction, Getaway Pictures, Ever So Close

Wholesaler: Saban Films

Cast: Keira Knightley, Helen Mirren, Luke Wilson, Mickey Rourke, Jenna Dewan, Diego Luna, Jim Sturgess, Nolan Funk, Charlotte Le Bon, Iwan Rheon

Chiefs: Dianna Agron, Peter Chelsom, Claus Clausen, Fernando Eimbcke, Justin Franklin, Dennis Gansel, Dani Levy, Daniel Lwowski, Stephanie Martin, Josef Rusnak, Til Schweiger, Massy Tadjedin

Screenwriters: Claus Clausen, Fernando Eimbcke, Dennis Gansel, Neil LaBute, Dani Levy, Rebecca Rahn, Edda Reiser, Massy Tadjedin, David Vernon

Makers: Claus Clausen, Edda Reiser

Official makers: Emmanuel Bernbihy, Jeffrey Konvitz, Jeff Geoffray, Daniel Rainey, Alice de Sousa, Arianne Fraser, Delphine Perrier, Glenn Ackermann, Jason Piette, Ivan Gulas, Krisztina Endrenyi, Gyorgy Gattyan, Till Neumann, Steffen Aumuller, Daniel Lwowski

Chief of photography: Kolja Brandt

Generation originator: Albrecht Konrad

Editors: Peter R. Adam, Christoph Strothjohann

Authors: Tom Batoy, Franco Tortora|

Outfit originator: Heike Fademrecht

Evaluated R, 120 minutes